• Re: The Demonization of Shakespeare

    From Robert Carnegie@3:633/280.2 to All on Wed Jul 9 08:28:38 2025
    On 08/04/2025 16:49, Paul S Person wrote:
    <snippo Shakespeare examples of what the alt-right calls "woke">
    <I should note that is has always been my understanding (probably from something I was told or read) that Romeo and Juliet would have been
    about 13, but who can say for sure?>

    I seem to remember that in several U.S. states,
    that isn't a problem.

    However, "Juliet" originally is a boy actor
    in a dress. This could be brought up.

    In some British actor's recent memoir that
    I heard on radio, I've forgotten who, the
    school drama was similarly cast, since that's
    all that they had. I also don't remember if
    he was Juliet or Cleopatra or Lady Macbeth,
    but apparently the male lead role was a
    good-looking young man.

    Ian McKellen?

    Gregory Doran?

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  • From Paul S Person@3:633/280.2 to All on Thu Jul 10 02:04:34 2025
    On Tue, 8 Jul 2025 23:28:38 +0100, Robert Carnegie
    <rja.carnegie@gmail.com> wrote:

    On 08/04/2025 16:49, Paul S Person wrote:
    <snippo Shakespeare examples of what the alt-right calls "woke">
    <I should note that is has always been my understanding (probably from
    something I was told or read) that Romeo and Juliet would have been
    about 13, but who can say for sure?>

    I seem to remember that in several U.S. states,
    that isn't a problem.

    I don't think its a problem here, either, except, of course, that
    being 13 they are very excitable.

    Young teenagers with swords duelling in the streets -- what could
    possibly go wrong?

    However, "Juliet" originally is a boy actor
    in a dress. This could be brought up.

    I believe Hamlet remarks on the hope that a boy actor's voice hasn't
    yet changed. At some point, the idea of having female actors caught
    on. IIRC, there was at least one female who played Hamlet. And was
    very effective in the role.

    Actors did not enjoy the best of reputations. Originally, IIRC, this
    was because they were always lying about who they were.

    One of the tales in /The Desert Fathers/ (I think) features an actor
    who descended to that low rung of society when the armed robber band
    he had been in tossed him out and nobody else would take him in.=20

    In some British actor's recent memoir that
    I heard on radio, I've forgotten who, the
    school drama was similarly cast, since that's
    all that they had. I also don't remember if
    he was Juliet or Cleopatra or Lady Macbeth,
    but apparently the male lead role was a
    good-looking young man.

    Ian McKellen?

    Gregory Doran?

    The film /Bridge on the River Kwai/ does something like that. The book
    /King Rat/ goes a bit farther.

    And I'm not even going to mention /Mrs. Doubtfire/ and other films
    that play with the idea but aren't really the same thing.
    --=20
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

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  • From Michael F. Stemper@3:633/280.2 to All on Thu Jul 10 06:50:10 2025
    On 09/07/2025 11.04, Paul S Person wrote:
    On Tue, 8 Jul 2025 23:28:38 +0100, Robert Carnegie
    <rja.carnegie@gmail.com> wrote:

    On 08/04/2025 16:49, Paul S Person wrote:
    <snippo Shakespeare examples of what the alt-right calls "woke">
    <I should note that is has always been my understanding (probably from
    something I was told or read) that Romeo and Juliet would have been
    about 13, but who can say for sure?>

    I seem to remember that in several U.S. states,
    that isn't a problem.

    I don't think its a problem here, either, except, of course, that
    being 13 they are very excitable.

    Young teenagers with swords duelling in the streets -- what could
    possibly go wrong?

    However, "Juliet" originally is a boy actor
    in a dress. This could be brought up.

    I believe Hamlet remarks on the hope that a boy actor's voice hasn't
    yet changed. At some point, the idea of having female actors caught
    on. IIRC, there was at least one female who played Hamlet. And was
    very effective in the role.

    Actors did not enjoy the best of reputations. Originally, IIRC, this
    was because they were always lying about who they were.

    One of the tales in /The Desert Fathers/ (I think) features an actor
    who descended to that low rung of society when the armed robber band
    he had been in tossed him out and nobody else would take him in.

    In some British actor's recent memoir that
    I heard on radio, I've forgotten who, the
    school drama was similarly cast, since that's
    all that they had. I also don't remember if
    he was Juliet or Cleopatra or Lady Macbeth,
    but apparently the male lead role was a
    good-looking young man.

    ObSFW: At one point, the actor protagonist of _The Golden Globe_
    does _Romeo and Juliet_ as a one-man show. Futuristic bio-mods
    during scene changes help things along.

    <https://www.isfdb.org/cgi-bin/title.cgi?12598>

    (Note the followup setting.)

    --
    Michael F. Stemper
    87.3% of all statistics are made up by the person giving them.


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  • From William Hyde@3:633/280.2 to All on Thu Jul 10 07:14:57 2025
    Paul S Person wrote:
    On Tue, 8 Jul 2025 23:28:38 +0100, Robert Carnegie
    <rja.carnegie@gmail.com> wrote:

    On 08/04/2025 16:49, Paul S Person wrote:
    <snippo Shakespeare examples of what the alt-right calls "woke">
    <I should note that is has always been my understanding (probably from
    something I was told or read) that Romeo and Juliet would have been
    about 13, but who can say for sure?>

    I seem to remember that in several U.S. states,
    that isn't a problem.

    I don't think its a problem here, either, except, of course, that
    being 13 they are very excitable.

    Young teenagers with swords duelling in the streets -- what could
    possibly go wrong?

    However, "Juliet" originally is a boy actor
    in a dress. This could be brought up.

    I believe Hamlet remarks on the hope that a boy actor's voice hasn't
    yet changed. At some point, the idea of having female actors caught
    on. IIRC, there was at least one female who played Hamlet. And was
    very effective in the role.

    In Aubrey's "Brief Lives" he mentions one daring theatre manager who
    allowed women to play on stage circa 1660.

    In the comedy "Upstart Crow" Kate aspires to be an actress but only
    succeeds once by disguising herself as a boy. I recall figuring out
    that if Kate were real, she'd have been about 85 before being allowed on
    the stage.


    William Hyde

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  • From Bobbie Sellers@3:633/280.2 to All on Thu Jul 10 08:24:33 2025
    Reply-To: blissInSanFrancisco@mouse-potato.com



    On 7/9/25 09:04, Paul S Person wrote:
    On Tue, 8 Jul 2025 23:28:38 +0100, Robert Carnegie
    <rja.carnegie@gmail.com> wrote:

    On 08/04/2025 16:49, Paul S Person wrote:
    <snippo Shakespeare examples of what the alt-right calls "woke">
    <I should note that is has always been my understanding (probably from
    something I was told or read) that Romeo and Juliet would have been
    about 13, but who can say for sure?>

    I seem to remember that in several U.S. states,
    that isn't a problem.

    I don't think its a problem here, either, except, of course, that
    being 13 they are very excitable.

    Young teenagers with swords duelling in the streets -- what could
    possibly go wrong?

    However, "Juliet" originally is a boy actor
    in a dress. This could be brought up.

    I believe Hamlet remarks on the hope that a boy actor's voice hasn't
    yet changed. At some point, the idea of having female actors caught
    on. IIRC, there was at least one female who played Hamlet. And was
    very effective in the role.

    Sarah Bernhart in the 19th and early 20th Century.

    Actors did not enjoy the best of reputations. Originally, IIRC, this
    was because they were always lying about who they were.

    Well before actors started acting in Christian dramas they were wed to the mystery plays of the pagan cults of the Romans. So that prejudiced the ecclesiastic arm against them.



    One of the tales in /The Desert Fathers/ (I think) features an actor
    who descended to that low rung of society when the armed robber band
    he had been in tossed him out and nobody else would take him in.

    In some British actor's recent memoir that
    I heard on radio, I've forgotten who, the
    school drama was similarly cast, since that's
    all that they had. I also don't remember if
    he was Juliet or Cleopatra or Lady Macbeth,
    but apparently the male lead role was a
    good-looking young man.

    Ian McKellen?

    Gregory Doran?

    The film /Bridge on the River Kwai/ does something like that. The book
    /King Rat/ goes a bit farther.

    And I'm not even going to mention /Mrs. Doubtfire/ and other films
    that play with the idea but aren't really the same thing.

    But it ws done in Japan as well where the actresses that originated Kabuki
    were barred from perforing and the roles given to males. The actresses were demeaned with the world prostitute as were female actors when they started working on the stage.

    bliss


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  • From JNugent@3:633/280.2 to All on Thu Jul 10 10:07:01 2025
    On 09/07/2025 10:14 PM, William Hyde wrote:
    Paul S Person wrote:
    On Tue, 8 Jul 2025 23:28:38 +0100, Robert Carnegie
    <rja.carnegie@gmail.com> wrote:

    On 08/04/2025 16:49, Paul S Person wrote:
    <snippo Shakespeare examples of what the alt-right calls "woke">
    <I should note that is has always been my understanding (probably from >>>> something I was told or read) that Romeo and Juliet would have been
    about 13, but who can say for sure?>

    I seem to remember that in several U.S. states,
    that isn't a problem.

    I don't think its a problem here, either, except, of course, that
    being 13 they are very excitable.

    Young teenagers with swords duelling in the streets -- what could
    possibly go wrong?

    However, "Juliet" originally is a boy actor
    in a dress. This could be brought up.

    I believe Hamlet remarks on the hope that a boy actor's voice hasn't
    yet changed. At some point, the idea of having female actors caught
    on. IIRC, there was at least one female who played Hamlet. And was
    very effective in the role.

    In Aubrey's "Brief Lives" he mentions one daring theatre manager who
    allowed women to play on stage circa 1660.

    That - the Restoration - was when actresses were first tolerated. It was
    16662 when Charles II Charles II issued royal patents to theatre
    companies, formally permitting women to play women’s roles.

    <https://www.folger.edu/blogs/shakespeare-and-beyond/the-first-english-actresses/>

    In the comedy "Upstart Crow" Kate aspires to be an actress but only
    succeeds once by disguising herself as a boy. I recall figuring out
    that if Kate were real, she'd have been about 85 before being allowed on
    the stage.

    She'd have been a riot as the nurse.


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  • From Paul S Person@3:633/280.2 to All on Fri Jul 11 01:19:15 2025
    On Wed, 9 Jul 2025 15:24:33 -0700, Bobbie Sellers <bliss-sf4ever@dslextreme.com> wrote:



    On 7/9/25 09:04, Paul S Person wrote:
    On Tue, 8 Jul 2025 23:28:38 +0100, Robert Carnegie
    <rja.carnegie@gmail.com> wrote:
    =20
    On 08/04/2025 16:49, Paul S Person wrote:
    <snippo Shakespeare examples of what the alt-right calls "woke">
    <I should note that is has always been my understanding (probably =
    from
    something I was told or read) that Romeo and Juliet would have been
    about 13, but who can say for sure?>

    I seem to remember that in several U.S. states,
    that isn't a problem.
    =20
    I don't think its a problem here, either, except, of course, that
    being 13 they are very excitable.
    =20
    Young teenagers with swords duelling in the streets -- what could
    possibly go wrong?
    =20
    However, "Juliet" originally is a boy actor
    in a dress. This could be brought up.
    =20
    I believe Hamlet remarks on the hope that a boy actor's voice hasn't
    yet changed. At some point, the idea of having female actors caught
    on. IIRC, there was at least one female who played Hamlet. And was
    very effective in the role.=20

    Sarah Bernhart in the 19th and early 20th Century.
    =20
    Actors did not enjoy the best of reputations. Originally, IIRC, this
    was because they were always lying about who they were.

    Well before actors started acting in Christian dramas they were wed to
    the mystery plays of the pagan cults of the Romans. So that prejudiced =
    the
    ecclesiastic arm against them.

    I think the problem went back a lot further. Perhaps back to the
    Athenians or before. Or perhaps not.

    And this was in Egypt, so it would have been "pagan cults of the
    Greeks".=20

    They were always lying about who they were, of course, because they
    were always claiming to be someone else while on stage. Although
    nobody seems to really care about lying nowadays, in the past it was a
    /very/ serious thing to be accused of.
    =20
    One of the tales in /The Desert Fathers/ (I think) features an actor
    who descended to that low rung of society when the armed robber band
    he had been in tossed him out and nobody else would take him in.
    =20
    In some British actor's recent memoir that
    I heard on radio, I've forgotten who, the
    school drama was similarly cast, since that's
    all that they had. I also don't remember if
    he was Juliet or Cleopatra or Lady Macbeth,
    but apparently the male lead role was a
    good-looking young man.

    Ian McKellen?

    Gregory Doran?
    =20
    The film /Bridge on the River Kwai/ does something like that. The book
    /King Rat/ goes a bit farther.
    =20
    And I'm not even going to mention /Mrs. Doubtfire/ and other films
    that play with the idea but aren't really the same thing.

    But it ws done in Japan as well where the actresses that originated =
    Kabuki
    were barred from perforing and the roles given to males. The actresses =
    were
    demeaned with the world prostitute as were female actors when they =
    started
    working on the stage.

    I have never claimed that prejudice and discrimination are unique to
    Western Europe. In fact, I have, from time to time, denied it.
    --=20
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

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  • From William Hyde@3:633/280.2 to All on Fri Jul 11 09:08:07 2025
    Paul S Person wrote:
    On Wed, 9 Jul 2025 15:24:33 -0700, Bobbie Sellers


    Well before actors started acting in Christian dramas they were wed to >> the mystery plays of the pagan cults of the Romans. So that prejudiced the >> ecclesiastic arm against them.

    As I understand it our modern theatre came from christian mystery plays
    which themselves may have arisen from non-speaking tableaux. After a
    century or two of these, people started exploring non-religious topics.



    I think the problem went back a lot further. Perhaps back to the
    Athenians or before. Or perhaps not.

    As I understand it, no free women were allowed in Greek theatre in
    classic times, though there is some evidence that slave women were
    allowed in non-speaking roles (as slaves, of course).

    Women were allowed in Roman theatre. Some sources imply that they too
    were confined to non-speaking roles, but there is plenty of evidence to contradict this.

    William Hyde

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  • From Bertietaylor@3:633/280.2 to All on Fri Jul 11 09:26:51 2025
    On Mon, 7 Apr 2025 0:25:42 +0000, Bertitaylor wrote:

    Shakespeare is the nearest the decent western chappie can get to life-affirming gentle paganism; so Shakespeare has to be hated by the monotheistic bigots - or set at the extreme limit of their tolerance.

    Arindam has improved his sonnets by translating them to Bengali.

    He is the best.
    Woof

    Woof-woof woof woof woof-woof

    Bertietaylor

    --

    --

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  • From Bertietaylor@3:633/280.2 to All on Fri Jul 11 09:25:24 2025
    Woof

    --

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  • From Bertietaylor@3:633/280.2 to All on Fri Jul 11 11:38:36 2025
    On Thu, 10 Jul 2025 23:26:51 +0000, Bertietaylor wrote:

    On Mon, 7 Apr 2025 0:25:42 +0000, Bertitaylor wrote:

    Shakespeare is the nearest the decent western chappie can get to
    life-affirming gentle paganism; so Shakespeare has to be hated by the
    monotheistic bigots - or set at the extreme limit of their tolerance.

    Arindam has improved his sonnets by translating them to Bengali.

    He is the best.

    Over the flecks of foam I have seen you roam
    When the moon did light the path between You and me
    Aphrodite Aphrodite Aphrodite...

    Anything in Shakespeare to beat that?

    WOOF woof-woof woof woof-woof
    Woof

    Woof-woof woof woof woof-woof

    Bertietaylor

    --

    --

    --

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  • From Ross Clark@3:633/280.2 to All on Fri Jul 11 12:12:47 2025
    Reply-To: r.clark@auckland.ac.nz

    On 11/07/2025 1:38 p.m., Bertietaylor wrote:
    On Thu, 10 Jul 2025 23:26:51 +0000, Bertietaylor wrote:

    On Mon, 7 Apr 2025 0:25:42 +0000, Bertitaylor wrote:

    Shakespeare is the nearest the decent western chappie can get to
    life-affirming gentle paganism; so Shakespeare has to be hated by the
    monotheistic bigots - or set at the extreme limit of their tolerance.

    Arindam has improved his sonnets by translating them to Bengali.

    He is the best.

    Over the flecks of foam I have seen you roam
    When the moon did light the path between You and me
    Aphrodite Aphrodite Aphrodite...

    Demis Roussos?


    Anything in Shakespeare to beat that?

    WOOF woof-woof woof woof-woof
    Woof

    Woof-woof woof woof woof-woof

    Bertietaylor

    --

    --

    --


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  • From Ross Clark@3:633/280.2 to All on Fri Jul 11 12:25:22 2025
    Reply-To: r.clark@auckland.ac.nz

    On 10/07/2025 10:24 a.m., Bobbie Sellers wrote:


    On 7/9/25 09:04, Paul S Person wrote:
    On Tue, 8 Jul 2025 23:28:38 +0100, Robert Carnegie
    <rja.carnegie@gmail.com> wrote:

    On 08/04/2025 16:49, Paul S Person wrote:
    <snippo Shakespeare examples of what the alt-right calls "woke">
    <I should note that is has always been my understanding (probably from >>>> something I was told or read) that Romeo and Juliet would have been
    about 13, but who can say for sure?>

    I seem to remember that in several U.S. states,
    that isn't a problem.

    I don't think its a problem here, either, except, of course, that
    being 13 they are very excitable.

    Young teenagers with swords duelling in the streets -- what could
    possibly go wrong?

    However, "Juliet" originally is a boy actor
    in a dress. This could be brought up.

    I believe Hamlet remarks on the hope that a boy actor's voice hasn't
    yet changed. At some point, the idea of having female actors caught
    on. IIRC, there was at least one female who played Hamlet. And was
    very effective in the role.

    Sarah Bernhart in the 19th and early 20th Century.

    Actors did not enjoy the best of reputations. Originally, IIRC, this
    was because they were always lying about who they were.

    Well before actors started acting in Christian dramas they were wed to the mystery plays of the pagan cults of the Romans. So that prejudiced the ecclesiastic arm against them.



    One of the tales in /The Desert Fathers/ (I think) features an actor
    who descended to that low rung of society when the armed robber band
    he had been in tossed him out and nobody else would take him in.

    In some British actor's recent memoir that
    I heard on radio, I've forgotten who, the
    school drama was similarly cast, since that's
    all that they had. I also don't remember if
    he was Juliet or Cleopatra or Lady Macbeth,
    but apparently the male lead role was a
    good-looking young man.

    Ian McKellen?

    Gregory Doran?

    The film /Bridge on the River Kwai/ does something like that. The book
    /King Rat/ goes a bit farther.

    And I'm not even going to mention /Mrs. Doubtfire/ and other films
    that play with the idea but aren't really the same thing.

    But it ws done in Japan as well where the actresses that originated Kabuki
    were barred from perforing and the roles given to males. The actresses were demeaned with the world prostitute as were female actors when they started working on the stage.

    bliss


    Right about women being at the origins of kabuki.
    But I don't think the p-word was applied just as some punishment for
    going on stage (or wanting to). Many of the early actors were in fact prostitutes, and kabuki first became popular in that sort of milieu.
    When it became really big-time and wanted to go respectable, the
    men-only policy was the solution.

    https://en.wikipedia.org/wiki/Kabuki#History

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  • From Bertitaylor@3:633/280.2 to All on Fri Jul 11 17:32:32 2025
    On Fri, 11 Jul 2025 2:12:47 +0000, Ross Clark wrote:

    On 11/07/2025 1:38 p.m., Bertietaylor wrote:
    On Thu, 10 Jul 2025 23:26:51 +0000, Bertietaylor wrote:

    On Mon, 7 Apr 2025 0:25:42 +0000, Bertitaylor wrote:

    Shakespeare is the nearest the decent western chappie can get to
    life-affirming gentle paganism; so Shakespeare has to be hated by the
    monotheistic bigots - or set at the extreme limit of their tolerance.

    Arindam has improved his sonnets by translating them to Bengali.

    He is the best.

    Over the flecks of foam I have seen you roam
    When the moon did light the path between You and me
    Aphrodite Aphrodite Aphrodite...

    Demis Roussos?

    How complimentary!
    Actually the BigDog Arindam would sing that on our drives in Victoria.
    Beats all, like all his songs.

    Woof woof woof gotta keep on barking




    Anything in Shakespeare to beat that?

    WOOF woof-woof woof woof-woof
    Woof

    Woof-woof woof woof woof-woof

    Bertietaylor

    --

    --

    --

    --

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  • From Robert Carnegie@3:633/280.2 to All on Sun Jul 13 21:19:25 2025
    On 09/07/2025 17:04, Paul S Person wrote:
    On Tue, 8 Jul 2025 23:28:38 +0100, Robert Carnegie
    <rja.carnegie@gmail.com> wrote:

    In some British actor's recent memoir that
    I heard on radio, I've forgotten who, the
    school drama was similarly cast,

    (with young men in female eoles)

    since that's
    all that they had. I also don't remember if
    he was Juliet or Cleopatra or Lady Macbeth,
    but apparently the male lead role was a
    good-looking young man.

    Ian McKellen?

    Gregory Doran?

    The film /Bridge on the River Kwai/ does something like that. The book
    /King Rat/ goes a bit farther.

    And I'm not even going to mention /Mrs. Doubtfire/ and other films
    that play with the idea but aren't really the same thing.

    Well... I had in mind, not shows where the male
    lead falls for the female who is actually a man
    in drag (I think that would be _Tootsie_ as well)
    but where the male actor in the female role
    falls for the male role actor, who probably is
    straight, but any kissing or cuddling is fully
    enjoyed by at least one of the players. ;-)


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  • From Cryptoengineer@3:633/280.2 to All on Tue Jul 15 12:11:12 2025
    On 7/8/2025 6:28 PM, Robert Carnegie wrote:
    On 08/04/2025 16:49, Paul S Person wrote:
    <snippo Shakespeare examples of what the alt-right calls "woke">
    <I should note that is has always been my understanding (probably from
    something I was told or read) that Romeo and Juliet would have been
    about 13, but who can say for sure?>

    I seem to remember that in several U.S. states,
    that isn't a problem.

    However, "Juliet" originally is a boy actor
    in a dress. This could be brought up.

    In some British actor's recent memoir that
    I heard on radio, I've forgotten who, the
    school drama was similarly cast, since that's
    all that they had. I also don't remember if
    he was Juliet or Cleopatra or Lady Macbeth,
    but apparently the male lead role was a
    good-looking young man.

    Ian McKellen?

    Gregory Doran?

    Last night, I watched an episode of 'The Sandman'
    in which there is included parts of a
    Shakespeare-contemporaneous production of 'A
    Midsummer Night's Dream' The female parts are
    played by young men.

    I know this is historically accurate, but I don't
    remember seeing it done this way in any other modern
    film or TV adaption.

    pt

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  • From Cryptoengineer@3:633/280.2 to All on Tue Jul 15 12:15:09 2025
    On 7/10/2025 11:19 AM, Paul S Person wrote:
    On Wed, 9 Jul 2025 15:24:33 -0700, Bobbie Sellers <bliss-sf4ever@dslextreme.com> wrote:



    On 7/9/25 09:04, Paul S Person wrote:
    On Tue, 8 Jul 2025 23:28:38 +0100, Robert Carnegie
    <rja.carnegie@gmail.com> wrote:

    On 08/04/2025 16:49, Paul S Person wrote:
    <snippo Shakespeare examples of what the alt-right calls "woke">
    <I should note that is has always been my understanding (probably from >>>>> something I was told or read) that Romeo and Juliet would have been
    about 13, but who can say for sure?>

    I seem to remember that in several U.S. states,
    that isn't a problem.

    I don't think its a problem here, either, except, of course, that
    being 13 they are very excitable.

    Young teenagers with swords duelling in the streets -- what could
    possibly go wrong?

    However, "Juliet" originally is a boy actor
    in a dress. This could be brought up.

    I believe Hamlet remarks on the hope that a boy actor's voice hasn't
    yet changed. At some point, the idea of having female actors caught
    on. IIRC, there was at least one female who played Hamlet. And was
    very effective in the role.

    Sarah Bernhart in the 19th and early 20th Century.

    Actors did not enjoy the best of reputations. Originally, IIRC, this
    was because they were always lying about who they were.

    Well before actors started acting in Christian dramas they were wed to >> the mystery plays of the pagan cults of the Romans. So that prejudiced the >> ecclesiastic arm against them.

    I think the problem went back a lot further. Perhaps back to the
    Athenians or before. Or perhaps not.

    And this was in Egypt, so it would have been "pagan cults of the
    Greeks".

    They were always lying about who they were, of course, because they
    were always claiming to be someone else while on stage. Although
    nobody seems to really care about lying nowadays, in the past it was a
    /very/ serious thing to be accused of.

    One of the tales in /The Desert Fathers/ (I think) features an actor
    who descended to that low rung of society when the armed robber band
    he had been in tossed him out and nobody else would take him in.

    In some British actor's recent memoir that
    I heard on radio, I've forgotten who, the
    school drama was similarly cast, since that's
    all that they had. I also don't remember if
    he was Juliet or Cleopatra or Lady Macbeth,
    but apparently the male lead role was a
    good-looking young man.

    Ian McKellen?

    Gregory Doran?

    The film /Bridge on the River Kwai/ does something like that. The book
    /King Rat/ goes a bit farther.

    And I'm not even going to mention /Mrs. Doubtfire/ and other films
    that play with the idea but aren't really the same thing.

    But it ws done in Japan as well where the actresses that originated Kabuki
    were barred from perforing and the roles given to males. The actresses were >> demeaned with the world prostitute as were female actors when they started >> working on the stage.

    I have never claimed that prejudice and discrimination are unique to
    Western Europe. In fact, I have, from time to time, denied it.


    You might get a kick out of this:

    The First Play
    https://www.youtube.com/watch?v=BQGLbTesSxQ

    pt

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  • From Paul S Person@3:633/280.2 to All on Wed Jul 16 04:26:21 2025
    On Thu, 10 Jul 2025 01:07:01 +0100, JNugent <JNugent73@mail.com>
    wrote:

    On 09/07/2025 10:14 PM, William Hyde wrote:

    <snippo>

    In Aubrey's "Brief Lives" he mentions one daring theatre manager who
    allowed women to play on stage circa 1660.

    That - the Restoration - was when actresses were first tolerated. It was=
    =20
    16662 when Charles II Charles II issued royal patents to theatre=20 >companies, formally permitting women to play women=92s roles.

    In the film /Moliere/, women are shown as performers. This was in
    =46rance and Charles II was in exile in France. The possibility here is
    that he allowed it because he was accustomed to it.

    <https://www.folger.edu/blogs/shakespeare-and-beyond/the-first-english-a= ctresses/>
    --=20
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

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  • From William Hyde@3:633/280.2 to All on Wed Jul 16 08:02:59 2025
    Sam Plusnet wrote:
    On 15/07/2025 19:26, Paul S Person wrote:
    On Thu, 10 Jul 2025 01:07:01 +0100, JNugent <JNugent73@mail.com>
    wrote:

    On 09/07/2025 10:14 PM, William Hyde wrote:

    <snippo>

    In Aubrey's "Brief Lives" he mentions one daring theatre manager who
    allowed women to play on stage circa 1660.

    That - the Restoration - was when actresses were first tolerated. It was >>> 16662 when Charles II Charles II issued royal patents to theatre
    companies, formally permitting women to play women’s roles.

    In the film /Moliere/, women are shown as performers. This was in
    France and Charles II was in exile in France. The possibility here is
    that he allowed it because he was accustomed to it.

    <https://www.folger.edu/blogs/shakespeare-and-beyond/the-first-english-actresses/>


    I know nothing about actresses in France at that time but...
    A film??
    Are we to take films as reliable sources of historical data?

    I did a bit of checking and apparently actresses were allowed on the
    French stage at this time. I don't know when that became allowed, or if
    it was ever forbidden, in fact.

    Aubrey gives credit to one of his biographical subjects, not Charles,
    for the change. Charles may simply have approved something which
    already existed.

    Though I would expect Charles to be for it, and to have been for it even
    in his father's reign.


    William Hyde

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  • From JNugent@3:633/280.2 to All on Wed Jul 16 23:18:19 2025
    On 15/07/2025 03:11 AM, Cryptoengineer wrote:
    On 7/8/2025 6:28 PM, Robert Carnegie wrote:
    On 08/04/2025 16:49, Paul S Person wrote:
    <snippo Shakespeare examples of what the alt-right calls "woke">
    <I should note that is has always been my understanding (probably from
    something I was told or read) that Romeo and Juliet would have been
    about 13, but who can say for sure?>

    I seem to remember that in several U.S. states,
    that isn't a problem.

    However, "Juliet" originally is a boy actor
    in a dress. This could be brought up.

    In some British actor's recent memoir that
    I heard on radio, I've forgotten who, the
    school drama was similarly cast, since that's
    all that they had. I also don't remember if
    he was Juliet or Cleopatra or Lady Macbeth,
    but apparently the male lead role was a
    good-looking young man.

    Ian McKellen?

    Gregory Doran?

    Last night, I watched an episode of 'The Sandman'
    in which there is included parts of a
    Shakespeare-contemporaneous production of 'A
    Midsummer Night's Dream' The female parts are
    played by young men.

    I know this is historically accurate, but I don't
    remember seeing it done this way in any other modern
    film or TV adaption.

    Maybe not quite "modern" enough, but all Elizabethan theatrical
    conventions were portrayed accurately in the ATV / ITC six-part drama
    series of 1978 (made in 1977): "Will Shakespeare". This was quite clear
    about the casting of boys as female characters. Jack Rice (played by Ron
    Cook) wanted never to play anything but female parts.

    I know it has been shown in the USA because I managed to obtain a university-published set of VHS NTSC recordings of the series a decade
    or two back. That item was eventually rendered redundant by the release
    of the series on a UK DVD box-set a few years ago.

    <https://en.wikipedia.org/wiki/Will_Shakespeare_(TV_series)>



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  • From Paul S Person@3:633/280.2 to All on Thu Jul 17 01:38:36 2025
    On Tue, 15 Jul 2025 22:33:06 +0100, Sam Plusnet <not@home.com> wrote:

    On 15/07/2025 19:26, Paul S Person wrote:
    On Thu, 10 Jul 2025 01:07:01 +0100, JNugent <JNugent73@mail.com>
    wrote:
    =20
    On 09/07/2025 10:14 PM, William Hyde wrote:
    =20
    <snippo>
    =20
    In Aubrey's "Brief Lives" he mentions one daring theatre manager who
    allowed women to play on stage circa 1660.

    That - the Restoration - was when actresses were first tolerated. It =
    was
    16662 when Charles II Charles II issued royal patents to theatre
    companies, formally permitting women to play women=92s roles.
    =20
    In the film /Moliere/, women are shown as performers. This was in
    France and Charles II was in exile in France. The possibility here is
    that he allowed it because he was accustomed to it.
    =20
    = <https://www.folger.edu/blogs/shakespeare-and-beyond/the-first-english-ac= tresses/>

    I know nothing about actresses in France at that time but...
    A film??
    Are we to take films as reliable sources of historical data?

    That depends, I suppose, on the film.

    And only as support for a suggestion, of course.
    --=20
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

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    * Origin: A noiseless patient Spider (3:633/280.2@fidonet)
  • From Sam Plusnet@3:633/280.2 to All on Thu Jul 17 07:18:10 2025
    On 16/07/2025 16:38, Paul S Person wrote:
    On Tue, 15 Jul 2025 22:33:06 +0100, Sam Plusnet <not@home.com> wrote:

    On 15/07/2025 19:26, Paul S Person wrote:
    On Thu, 10 Jul 2025 01:07:01 +0100, JNugent <JNugent73@mail.com>
    wrote:

    On 09/07/2025 10:14 PM, William Hyde wrote:

    <snippo>

    In Aubrey's "Brief Lives" he mentions one daring theatre manager who >>>>> allowed women to play on stage circa 1660.

    That - the Restoration - was when actresses were first tolerated. It was >>>> 16662 when Charles II Charles II issued royal patents to theatre
    companies, formally permitting women to play women’s roles.

    In the film /Moliere/, women are shown as performers. This was in
    France and Charles II was in exile in France. The possibility here is
    that he allowed it because he was accustomed to it.

    <https://www.folger.edu/blogs/shakespeare-and-beyond/the-first-english-actresses/>

    I know nothing about actresses in France at that time but...
    A film??
    Are we to take films as reliable sources of historical data?

    That depends, I suppose, on the film.

    And only as support for a suggestion, of course.

    Swerve to that mention of Charles II.

    We received a letter yesterday with a stamp on it.
    The stamp has an image of the king's head, and the words
    "Charles" and "1st".
    It took me a moment to realise that "1st" meant it was a first class
    stamp, not an attempt to erase all previous King Charles from history.

    --
    Sam Plusnet

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  • From The Horny Goat@3:633/280.2 to All on Sat Jul 19 02:59:17 2025
    On Mon, 23 Jun 2025 00:11:40 -0700, The Horny Goat <lcraver@home.ca>
    wrote:

    Even if you include Jane Austen, Agatha Christie and Charlotte Bronte
    you KNOW that's not what the sort of people who used that term
    ACTUALLY mean.


    Yeah - the type of folks whose mantra is "no white males need apply"
    have little difficulty extending that to women (except of course to
    those with XY chromosomes).

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  • From The Horny Goat@3:633/280.2 to All on Sat Jul 19 03:02:30 2025
    On Mon, 23 Jun 2025 10:01:48 -0700, Robert Woodward
    <robertaw@drizzle.com> wrote:

    I would have no problem if people grouped Shakespeare with people like
    Dumas, Zola, Camus, Rousseau, Dosteyevsky, Tolstoy etc. but you know
    as well as I do that "part of a community of equal and different
    writers and artists from around the world" DOESN'T in 2025 mean "more
    dead white males" - or even ANY white males.


    Dumas is a "dead white male"? (dead, yes, male, yes).

    I have trouble with the 'equal' in that phrase since while I greatly
    respect all of the above, those that speak that way would include Joe
    Blotz IV in that "equal" as well.

    As for the above list how many writers in that category would each
    country have at a time? At most 3 or 4 I think.

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