• Re: PPB: Always Marry an April Girl / Ogden Nash

    From Will-Dockery@3:633/10 to All on Tue Nov 25 07:09:39 2025
    George J. Dance wrote:
    Will Dockery wrote:

    George J. Dance wrote:

    Will Dockery wrote:
    General-Zod wrote:
    George J. Dance wrote:

    Today's poem on Penny's Poetry Blog:

    Always Marry an April Girl, by Ogden Nash
    [...]
    April golden, April cloudy,
    Gracious, cruel, tender, rowdy;
    [...]
    https://gdancesbetty.blogspot.com/2022/04/always-marry-april-girl-ogden-nash.html


    Cool, second read


    Nash definitely was the master of his niche in poetry.

    Oh, yeah. As an example:I remember one textbook I picked up in the
    last half of the last century. It was very modern in its approach to
    verse. First, it ignored rhythm / meter completely. Second, it
    pontificated that rhyme was good only for humorous effect; and the one
    example of rhyme it cited was Ogden Nash.

    Be that as it may, I'm glad to have his poetry on the blog. This debut
    is a bit out of the ordinary -- it reads like a love poem he dashed
    off to his wife, whether he did or whether he designed it that way
    (probably the latter, since his wife was born in March).


    As you know, much of my early years of poetry writing and study I was
    taught to shun rhymes, in popular culture and personal school studies


    My teacher and mentor Dan Barfield, as you know, famously told our class:

    "Rhyme is a crutch."



    That would be late 70s, in high school back when and where rhyme was
    most out of fashion. I encountered the same prejudice in my friends who
    wrote poetry; all of them shunned rhyme, and only liked the poems in
    which I did the same.

    But regardless of Dan's views on rhyme, I'd interpret his maxim more charitably, not as saying "Don't use rhyme", but as Don't rely on rhyme; don't try to use it to support work that isn't supported otherwise.

    If I were teaching poetics, I'd advise new students to start by writing
    open form, until they'd learned how to write poems - how to arrange the
    words to tell a story, or present a scene, or even construct an
    argument, to give the reader an epiphany.

    Then I'd instruct them on meter, rhyme, and finally forms. But I'd make
    it clear that in their poems they'd have to use those in addition to all
    that other stuff they learned earlier, not as a substitute (or "crutch)
    for them.



    I learned to begin to embrace rhyme, meter and form, et cetera, in these
    later years.



    I won't claim any credit, since you were using rhymes before I got on
    the group. But I do think that being on aapc was probably a big
    influence on your doing that.



    Definitely true, I think.

    ?


    This is a response to the post seen at: http://www.jlaforums.com/viewtopic.php?p=683970631#683970631

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